Musicadium Blog

Ahh, the holiday period. A time for family, food, festivity and fantastic tunes.

Our gift to you is Digital Distribution of your music and video - which you can re-gift to your fans!

Last week, we promised you a sale on our Digital Distribution services and in a fit of pre-Christmas excitement, we gave away gift cards like crazy to those who took up on our offer.

This week, we’re delivering more gifts to you like some sort of Rock and Roll Santa Claus!

FOR A LIMITED TIME ONLY- OFFER AVAILABLE TILL 5:00PM AEST 18th DECEMBER 2009!!*

Video Distribution
Add 3 videos for the price of 2
1 or 2 videos, get a $20.00 AUD iTunes Gift card

E-Mail info@musicadium.com for instructions on how to sign your videos up and for specifications for encoding.

Add an Outlet
Add Nokia or additional outlets for $20.00 AUD each for releases already through Musicadium

New Releases
- All four outlets for the price of three for new releases - $19.75 AUD per outlet!

Don’t forget to email info@musicadium.com to let us know you signed the release up - you can expect to receive an invoice for the limited time offer price within 48 hours.

Issues

If you are having any issues with the uploading of WAV files to the Musicadium system, be sure to e-mail support@musicadium.com for assistance.

Ah, the season of giving!

IMPORTANT UPDATE: Its unanimous, the Musicadium team wants to send holiday gifts early! We know we said yesterday we’re having a sale next week, that’s still happening, but we just couldn’t wait to offer you something special today. We’re like those kids who wake up at 4am on Christmas morning to open their presents, too excitable!

Been wanting to get your music to the world, and just haven’t got on to it yet? Then give yourself an early Chrissy present by having Musicadium distribute your tracks or video to iTunes, Amazon etc today and we’ll give you a gift in return! Your music will be live in your choice of stores ready for your fans to grab tunes for themselves or friends in a fit of post Christmas Sales-fever!

Simply add an album, single of video to your existing member account or for new Musicadium members, create a new account and add an album, single of video. Then complete the purchase and we’ll send you an Amazon or iTunes Gift Voucher.

Hooray! This offer starts today, 9 December 2009, and will continue through to midnight Sunday 13 December 2009 AEST. All purchases must be completed by then to be eligible for our Holiday gift. Please note: gift cards may take up to 72 hours to be delivered to your inbox.

What do I need to do?

For existing Musicadium members, all you need to do is head to http://www.musicadium.com/christmas, fill in the form, then log in and go through the process of adding your release!

For new members, it’s a similar process. Head on over to http://www.musicadium.com/christmas, fill out the form, sign up as a member (make sure you select Pre-Xmas Sale Offer in the how did you find us section!), Log in and add your release!

What if I don’t have any music/videos to release right now?

Not to worry! We still have something for you. If you don’t have a new release to add right now, or just want to spread the holiday love, tell a friend by re-tweeting the message below on Twitter or changing your eBook status to below and we’ll send you our eBook for your troubles!

ReTweet or Facebook Status Update!

RT @Musicadium Join us in the spirit of giving at http://musicadium.com/christmas. Receive a iTunes/Amazon Gift card for adding a release!

With Digital Christmas Cheer
The Musicadium Team

Is there a super cultural mainstream or is it merely the mosaic of subcultures and music scenes? Is mainstream our enemy or our saviour?

Are all creatives eccentrics or are the normal ones merely weirdos in normals’ clothing?

We take a look at the difference between “good mainstream” and “bad mainstream”, and how we can harness the benefits of mainstream to help emerging artists find a wide audience.

The discussion will be lead by QUT’s Professor Alan McKee, pop-culture extraordinaire who has written five books on the subject.

Special guests include Sean Sennett, Managing Editor of Time Off Media, and John Willsteed, QUT academic and former member of the Go-Betweens.

When? Tuesday, 20^th October, 2009

Time? 6pm – 8pm

Where? Brisbane Powerhouse (Turbine Platform), Lamington St, New Farm

THIS EVENT IS FREE TO ATTEND AND ALL ARE WELCOME

For the sixth year in a row, the mighty Pyramid Rock Festival returns to bring in the New Year on Phillip Island from Tuesday 29th December 2009 until Friday 1st January 2010.

If you are an artist wishing to make a submission to play at Pyramid Rock Festival 2009 email bands@thepyramidrockfestival.com or send demos/press kits to:

Pyramid Rock Festival
PO Box 256
Inverloch, Victoria, Australia
3996

Be part of a Guinness Book of Records attempt!

Get on a recording with some of the greats and up-and-comers of Brisbane music, including Ed Kuepper, The Smokestack Orchestra, The Heroes, Tara Simmons and Asa Broomhall, and help make music history at the QUT Big Jam.

There’s still time for musicians to get their names added to the line up, which also features Mike Howlett, the bassist from cult band Gong and Grammy-winning producer who now heads QUT’s music program. The jam also features John Willsteed, former member of the Go-Betweens, The Apartments, Disgraceland, and The Riptides.

Organised by QUT’s Independent Music Project and supported by Ellaways Music, the 150-hour Big Jam will include local musicians from the 1950s to today. The jam also features regular house bands and professional recording teams in the world record attempt for longest continuous recording session with multiple artists, possibly the world’s longest jam session.

Beginning early on Monday August 31, musicians will tag-team for just over six days at the new QUT recording studio in Doggett Street before being transported in an open top vehicle with portable recording equipment to the Botanic Gardens River Stage for the finale on Sunday September 6.

The jam will conclude with massive 12 bar blues in G, before local acts The Gin Club and Intercooler take the stage in support of The Cat Empire at the free QUT and BCC organised concert at the River Stage for Brisbane 150 Come Celebrate.

Room is still available on The Big Jam timetable, but be quick. To participate, please register at email or phone Carly Dickenson on 3852 5249 cl.dickenson@qut.edu.au.

Let me ask you this; can you think of one famous female DJ? I put this to the test and asked my fellow co-workers to see if they could. Two out of Three said Bexta and she’s no longer on the club circuit. I’m talking about the big name DJ’s like Fatboy Slim, Diplo, (he’s big in my world, he produced M.I.A’s album, DJ’s and has a side project called Major Lazer with DJ/producer Switch. Can you tell I’m a fan?), John Digweed, Carl Cox etc. Not one colleague could come up with an answer – which highlights my point: the DJ world is dominated by men.

We all know it’s extremely hard for a DJ to break into the music industry. If they do, some people like to call it luck, dj-ing somewhere at the right time, having money, or even just knowing the right people. Have you ever considered how hard it is for a female DJ to break into the scene? As one myself, I’ve had the fortunate and often unfortunate experience behind me of trying to ‘crack’ the DJ side of the music industry. As a woman.

Now, don’t get me wrong, I wouldn’t call myself a raging feminist. I don’t use the fact that I’m a female DJ as an excuse, it actually drives me harder. I have been dj-ing for approximately 3 years now, starting in Sydney. I still haven’t completely broken into the scene but I’m getting there. For those that do know me, they know how hard I work to get where I am today. I play everywhere I can, I’ve been rejected, people and other DJ’s have shut me down, but I’m still booking gigs because it’s my passion.

A Case Study: I saw a bulletin on Myspace about 6 months ago and this one particular venue in Brisbane were asking for new DJ’s to get in touch with them. It basically said something along the lines of ‘If you’re a new DJ looking for a gig, then get in contact with us.’ So I sent them a message straight away saying that I was interested. I didn’t have a demo at the time, so I said I would send through a set list for the time being. I know the EXACT type of music played at this venue so I spent a lot of time on my set list. Eventually I sent it through and they were really impressed. They said they generally book about 5-6 weeks in advance. I said that was fine, I just wanted to play there. We corresponded for about 6 months and they still haven’t booked me in. I even sent them a link to my demo which they liked. Maybe I’m just being paranoid but I don’t know ANY female DJ’s that have played at this particular venue. Hopefully I’ll be the first.

However, it’s not all doom and gloom. In an male-dominated arena, it’s been great to see so many other female DJ’s come out from practicing in their bedrooms to playing at venues in Brisbane. Not only has there been an explosion of local talent but also internationally; La Roux, Florence + the Machine, Ladyhawke, Santogold, M.I.A etc. If you read any of the biographies, I can guarantee that they have been playing/writing music for years. These talented women are practically forcing themselves out there for everyone to hear and the response has been astounding.

I’m constantly encouraging my DJ friends to play gigs and recommend them to other promoters that are suitable. Maybe one of those girls or even myself will be on the same level as Fatboy Slim and Diplo. One day. I have faith. It’s time for a change and that change has begun.

The good news is in - there is still room for innovation and being an independent musician and getting your music to the world.

Earlier this year, we wrote about The Boxer Rebellion, an independent band from the UK, who had gone out on their own after a rocky debut release on a label.  Their digital release of their new album Union was lucky enough to score great promotion in the form of an iTunes front page tile, the free single of the week.  No money was spent on marketing.  From the single of the week promotion, the album sold an amazing 560,000 downloads in the first week.  The band had a direct deal with iTunes UK, but the single of the week tile can be achieved by any artist with a great song and great promotional material to support it.

Now, on to the good news from Behind the Music - The Boxer Rebellion boys have not bowed to the old school industry and have instead decided to keep on blazing a trail of their own.  Obviously, after they made such amazing sales, they fielded numerous offers of label deals - but turned them down.  When demands for their music started to come in from physical stores (taking a call from HMV in Canada), they were honest and thought outside of the box.  They told them that, as an independent band, they didn’t have the money to fund the volume of discs HMV were asking for.  They then cut a deal with HMV directly, where HMV funded the production of the discs for a cut of the sales and a promise of travelling to Canada to perform in-store across the country - certainly beneficial for both parties.  This quickly followed in the UK.

The takeaway message from this is that there is a lot of room for a band with good songs to rock the boat and use the industry to their advantage, not just feel down-trodden by the (old-school) systems already in place.

Follow this with Amanda Palmer’s latest twitter achievement, her planned-in-20-minutes, flash-mob sourced, ultra-cheap video of a cover of Cat Steven’s “If you want to sing out” and you have two artists really changing the face of how musicians interact with the industry they work in (around?).

The question is - how are you thinking outside the box?  The first step is understanding what is already going on in the box, so you can step out of it. Reading industry blogs and contributing to these forums as well as listening to others working in the industry will give you a great idea of what is going on and will allow you to take your own (informed) position on it.

So, start building a team of lateral thinkers around your band - who can help you blaze a new trail in the industry?  If you aren’t particularly good with the business side of the industry, who can help you with that?

Last night, Musicadium attended Reload Media and Traffika’s seminar covering the topics of Search Engine Optimisation, Search Engine Marketing and Social Media Optimisation.

It was a great evening, one that was super informative.  I found myself thinking about the way that bands can use these sort of strategies to position themselves in the often-crowded online marketplace of bands, music industry and music fans.

I don’t want to go into too much detail about the search engine optimisation and search engine marketing here, that’s for another post and a large bag of tips and tricks for when you are setting up your website.  Chances are, if you have any of the following set up well, a search engine query for your band name should return your Wikipedia page (if you have one) first, MySpace second, Facebook page (hopefully you have snagged a vanity URL because you have more than 100 fans), YouTube channel, Flickr Albums and Twitter page after that.  Having a website can go a long way to getting a fan over the line to purchasing items online, but ensuring that people can find it from a search engine from a generic search query is an art all of it’s own.

There are some great ways to track/measure your social media presence and prior to that, ensure that you have a great presence on these social media (facebook, myspace, twitter, flickr, youtube.) The beauty of Social Media is that is, by very definition, viral.  Great ideas and music can spread like wildfire, so make sure you contribute to the ideas-sharing and the content-creation that goes on in the social media web.  Here are a few tips to get yourself using web 2.0 tools successfully.  Let’s turn some strangers into acquaintances, to friends, then customers!

Twitter success is measured by the ratio of followers to following and also the quality of your tweets.  This means that you need to have more followers than the number of people you are following.  Obviously, this is hard to do in the beginning.  This will happen a lot quicker if you are already known and people you follow will tell others to follow you, therefore going viral a lot quicker.  But for those who are either just starting their band or need to build their fanbase using Twitter, it really does mean creating and sharing content, engaging users in conversation by “atting” them (@Username) and re-tweeting others’ posts (e.g RT @username - tweet details).

The best and most powerful tool to use in conjunction with your Twitter account is that of the search function.  A real-time search engine, it can be found at http://search.twitter.com.  The Search function captures any mention of your band’s name, even if it’s not been “atted”.  Another tip is to get your followers to use a hashtag (e.g. #musicadium) whenever they talk about you.  It could be anything - your album name, your band name, a song name etc. Auto-followers (Twitter add-ons that scour Twitter for keywords and follow the users who have talked about those keywords) miss the point of Twitter, so don’t fall for the perceived ease of gaining followers.  Twitter is about active engagement with your fans.  If you have not set up your keywords well using an Auto-Follower, it can pick up users who have spoken about those keywords but potentially used in a different context, hence picking up irrelevant followers and an uninterested audience.

I also read this article on HypeBot this morning re: Facebook. It has now hit 250 Million users worldwide and (a statistic quoted at the SEO seminar last night) now would rank as the world’s 5th largest country.  My thinking is that it definitely now has to rank with you as being a place for you as a b(r)and to find an audience and turn them into fans. If you haven’t got a page for your band yet, it is becoming as important as a MySpace page! Facebook Pages have an inbuilt analytics function, which allows you to view the number of people viewing, commenting and sharing links.  They are call Facebook Insights and they can be segmented down to gender, age and location.  Again, the Facebook ratings that you can see on the left hand side of your Facebook page depend upon the quality and the frequency of the posting of both you and the fans of your page. Spend the time and submit a photo of your Australian driver’s licence so that you can have the music player as a box on your Facebook Page, you can specify your own buy it now links and insert the iTunes URL you can get if you have your music for sale online.

Create Events for each gig you have and target friends and fans you have in the area you are playing.  Do not do a blanket invite of people to every gig you have.  If a person does not live in that region, do not ask them to come to a gig they cannot possibly attend, it will increase the possibility that they will leave your fan page.  Also, try not to be too spam-my with the amount of updates you send to fans.  Interact well with the fans you have and ask each member of the band to invite their Facebook friends to join the page by clicking the “Share with Friends” option.

The HypeBot Article still represents that MySpace is still important to have as an artist, but it really has shifted in terms of how artists are using it to market themselves.  No longer is the over 18 market on MySpace, it seems to be users under 18 and bands who are still using this social network.  So, definitely still useful if you are A) a band who plays a lot of all ages shows or B) using MySpace as an Electronic Press Kit.

Are there any other tips that you have that work well for ensuring that 1) your social media interactions are worthwhile and are gaining fans all the time and 2) giving your fans a sneak peek behind the creative curtain of your band??

You can follow Musicadium on Twitter - http://www.twitter.com/musicadium, become a fan of Musicadium on Facebook - http://www.facebook.com/musicadium or check out Musicadium on MySpace @ http://www.myspace.com/musicadium.

Streamer Bendy are a fantastic addition to the Musicadium Family, we were alerted to their music a little while ago now by Who The Hell Contributor, Sophie Benjamin, and we loved it straight away.  Since then, they have been getting a nice run of radio play on Triple J, but as yet, have not played any live shows.  Well, all that is about to change, as they will take the stage for the first time at our WITH DIGITAL LOVE Showcase June 10th at Brisbane’s BarSoma, with The Gallant and Moonjog!

Sarah and I (Tim) had a chat with front-rock-chick, Erinn Swan about Streamer Bendy, so far…

What’s the name of your band? What’s the origin of that name? Who came up with it?

Streamer Bendy was the name of my imaginary friend when I was little (Erinn).  From what I remember she had ribbons in her hair and sometimes she was in the mirror with me.  I think I may have been a strange child.

You have all been in bands in the past that have had great followings.  Do you feel like the combination of the members in the band has formed a creative Voltron, so to speak? As in, strong individually, but when combined, form an unstoppable force? Do you have a Blazing sword? (i.e. a secret weapon?)

Oh we are unstoppable!! We’re all really excited about Streamer Bendy, it’s so fresh still which is great fun because we haven’t been sitting in a van together for weeks on end and we don’t hate each other…yet.  Dane (drums) is definitely our secret weapon.  It’s his hair. Constantly changing colours, always looks good, blows about seductively when he plays..he’s a people magnet.

What’s your ultimate direction for your band? Are you seeking fame and fortune?

Like most musicians we’d just like to be able to keep doing this and get paid for it.  We all share a love for writing great songs and performing them live.  We just want to be able to sustain ourselves to continue doing that.  I personally love the reaction I get from someone who really identifies with something I have written.  It makes me feel in some strange way like I’ve made a small difference to the world.  If I can keep doing that, having that be my focus, I’ll be extremely happy.

Which songs do you perform most frequently? Do you ever play any covers? Do you have a set play list?

Streamer Bendy have never played a show!! We are six months old.  We’ve all been in bands that have toured their asses off over the last few years and we decided we were going to be very selective about what and where we play.  So stay tuned!! In answer to your question regarding covers however, both Matt and Travis play in the Queen tribute band - they’re currently in canada, so in fact, they’re playing covers RIGHT NOW!!

You are about to record an album - Any new influences that you will be drawing into your next release?

Yes, definitely.  Matt and I have just been in Sweden writing music, and we learnt a lot from the producers we worked with over there, so we’ll definitely bring a lot of that to the record.  Matt discovered ’snus’ when he was in Sweden, I expect that will be a major influence (snus is tobacco in a little packet that you stick on your gum and absorb into your blood stream.  it’s completely legal but addictive and made me so dizzy i almost passed out).  We’re also very into ‘The Temper Trap’ at the moment we saw them play at sxsw.

What are your rehearsals generally like? Do you have a set time each week in which you practice or are rehearsals more spontaneous?
They’ve been a bit spontaneous actually as we’ve all been in and out of the country so regularly.  They range from Matt and I in a room, to Matt and I on skype with Damon, to everyone in a room jamming it all out.  I hope we’ll fall into a routine but you know how these things go…

What inspires you? What makes you wake up and think “Wow! That really matters!” What makes you want to write songs that make people sit down and think?
I’m fairly political, and I like to comment when I think certain areas of society aren’t getting a good enough go, or are being taken advantage of.  I don’t think many young people take an interest in politics and the world around them and I’m keen to inspire them to do so.  Mostly though, I’m also a hopeless romantic, and the slightest romantic thought i have is a great place to start a song.  I’ve been having some crazy dreams lately, and I”m not sure how much they MATTER, but they’re great places to start writing a song from.

How do you promote your music that you have for sale in the digital outlets?
We will promote on myspace, triple j unearthed, and speak to various networks of kids we have about blog sites etc.

Streamer Bendy’s EP will be available on iTunes very soon and they will be playing at the Musicadium showcase June 10th!  Their Myspace is http://www.myspace.com/streamerbendy!

This, to me, seems like a very interesting topic within the music community.  I have been meeting and playing music with a lot of bands lately.  All of whom I question endlessly about the way their band operates - how do they promote themselves, who does the work within the band, what services do they use to promote their band, how did they come up with the “image” of the band etc.

One thing that comes up in my mind is…what if the music doesn’t achieve the dizzying heights you imagined in the first band meeting you had?

What if sales aren’t rolling in?  What if the phone isn’t ringing? What if MySpace friend requests aren’t clogging up your email inbox? What if no-one is turning up to your shows, despite the amount of promotion you are doing?  You’ve tried everything.  You are becoming frustrated.  WHAT THEN?

What do you do? Do you gather the band, have a meeting, re-rally around the current band and try some new promotion methods and keep plugging away at the current band and trying to connect with people and turning them into fans?

OR…

Do you swallow your pride/”sell out”, have a band meeting, re-assess the influences in your bands, change the sound and image of your band (not necessarily to a more “pop” sound, just something different to what it was before)?

What can happen?  What are the pros and cons of such a move?

Here’s a few examples of the benefits and pitfalls of changing the band name/look/sound of your band….

Glasshouse/Drawn from Bees - A Brisbane band (of whom I am a big fan) who, after playing for numerousyears under the guise Glasshouse, decided that, as much as they loved their band and their music, it had gone as far as it could go - new releases did not gain any more momentum than the last and fan numbers were not increasing. The band decided to disappear for a little while, write, record and re-invent themselves as Drawn from Bees.  The original members remained, the ideologies remained, the sound shifted only slightly, if not a little more catchy and a touch les progg-y.  All promo released about the band and their releases did not mention Glasshouse or any of their previous efforts.  They were treated as an entirely new band and things have been rosy for the band ever since, attracting high rotation on Triple J for their song Long Tooth Setting Sun, they have been playing support for many touring bands, such as The Devoted Few, They played at VFestival earlier in 2009 and they attracted the attention of Brisbane Management/Publicity business Mucho Bravado. They are recording their next release - their goal, to write, record and release an EP every 6 months.

De Jah Dan Dah/Astralaliens - Originally from Brisbane, De Jah Dan Dah featured two brothers, Jake and Mablo Fehres.  They decided to export the band to Los Angeles, after attracting attention from Robie Porter. Once there, they found that the Martial arts and other parts of the band were not connecting with audiences in the way they hoped, reinventing themselves, with new band members as Astralaliens.  They stripped back their show to playing great rock and roll music and integrated a very choreographed stage show.  They embraced their webs presence, utilising their MySpace, Facebook, Twitter and YouTube accounts. Since then, they have been playing at various prestigious venues in the LA scene, such as the Viper Room and Whiskey-a-Go-Go. They have won many band competitions in the LA area and their fandom has risen across the board.

Evermore/New Look Evermore - One example of how changing the look of the band may work monetarily, but doesn’t feel right, is Evermore’s new look and shift (sonically and in their image).  Check the links to see just how much their new album has changed their look.  It screams of their Record Label or Management telling the band that they should implement these changes to increase sales, not necessarily for the good of the band or their further career in the music industry.  A drastic shift such as this for “instant hits” and “truckloads” of money may serve a band well in the interim, but destroys credibility in the long run and can scuttle a band’s career.

Are there any interesting shifts in bands’ sounds/images that you can think of that are worth discussing?  More to the point, is it “selling out” to change your band’s image or sound or name?  Let us know.  We don’t think that there is anything wrong with it, as long as it is handled well, with respect to fans and with a very specific point in mind of how the “new” band will be portrayed and how the credibility of the band will be handled.